Civil War Wiki
File:Confederate Reunion Parade Richmond.jpg

George Washington Custis Lee (1832–1913) on horseback, with staff reviewing Confederate Reunion Parade in Richmond, Virginia, June 3, 1907, in front of monument to Jefferson Davis.

The Lost Cause is the name commonly given to a literary and intellectual movement that sought to reconcile the traditional white society of the Southern United States to the defeat of the Confederate States of America in the Civil War of 1861–1865.[1] Those who contributed to the movement tended to portray the Confederacy's cause as noble and most of the Confederacy's leaders as exemplars of old-fashioned chivalry, defeated by the Union armies not through superior military skill, but by overwhelming force. They also tended to condemn Reconstruction.


Many white Southerners were devastated economically, emotionally and psychologically by the defeat of the Confederacy in 1865. White Southerners sought consolation in attributing their loss to factors beyond their control and to betrayals of their heroes and cause. Many Southerners felt that their way of life had been disrupted by the North.[2]

The term Lost Cause first appeared in the title of an 1866 book by the historian Edward A. Pollard, The Lost Cause: A New Southern History of the War of the Confederates.[3] However, it was the articles written for the Southern Historical Society by Lt. Gen. Jubal A. Early in the 1870s that established the Lost Cause as a long-lasting literary and cultural phenomenon. The 1881 publication of The Rise and Fall of the Confederate Government by Jefferson Davis, a two volume apologia for the southern cause as Davis saw it, provided another important text in the history of the cause. Even though the book's initial sales were very disappointing to the author, the book remained in print and was often used to justify and or romanticize the southern position and to distance it from slavery.

Early's original inspiration for his views may have come from General Robert E. Lee himself. When he published his farewell order to the Army of Northern Virginia, Lee spoke of the "overwhelming resources and numbers" that the Confederate army fought against. In a letter to Early, Lee requested information about enemy strengths from May 1864 to April 1865, the period in which his army was engaged against Lt. Gen. Ulysses S. Grant (the Overland Campaign and the Siege of Petersburg). Lee wrote, "My only object is to transmit, if possible, the truth to posterity, and do justice to our brave Soldiers."[4] In another letter, Lee wanted all "statistics as regards numbers, destruction of private property by the Federal troops, &c." because he intended to demonstrate the discrepancy in strength between the two armies and believed it would "be difficult to get the world to understand the odds against which we fought." Referring to newspaper accounts that accused him of culpability in the loss, he wrote, "I have not thought proper to notice, or even to correct misrepresentations of my words & acts. We shall have to be patient, & suffer for awhile at least. ... At present the public mind is not prepared to receive the truth."[4] All of these were themes that Early and the Lost Cause writers "gained wide currency in the nineteenth century and remain remarkably persistent today."[5]

Lost Cause themes were taken up by memorial associations such as the United Confederate Veterans and the United Daughters of the Confederacy, helping Southerners, in some degree, to cope with the dramatic social, political, and economic changes in the postbellum era, including Reconstruction.[6]


Template:Rquote Template:Rquote Some of the main tenets of the Lost Cause movement were that:

  • Confederate generals such as Lee and Thomas "Stonewall" Jackson represented the virtues of Southern nobility, as opposed to most Northern generals, who were characterized as possessing low moral standards, and who subjected the Southern civilian population to such indignities as Sherman's March to the Sea and Philip Sheridan's burning of the Shenandoah Valley in the Valley Campaigns of 1864.
  • Losses on the battlefield were inevitable due to Northern superiority in resources and manpower.
  • Losses were also the result of betrayal and incompetence on the part of certain subordinates of General Lee, such as General James Longstreet. (The Lost Cause focused mainly on Lee and the eastern theater of operations.)
  • Defense of states' rights, rather than preservation of chattel slavery, was the primary cause that led eleven Southern states to secede from the Union, thus precipitating the war.
  • Secession was a justifiable constitutional response to Northern cultural and economic aggressions against the Southern way of life.
  • Slavery was a benign institution, and the slaves were loyal and faithful to their benevolent masters.[7]

The most powerful images and symbols of the Lost Cause were Robert E. Lee and Pickett's Charge. David Ulbrich wrote, "Already revered during the war, Robert E. Lee acquired a divine mystique within Southern culture after it. Remembered as a leader whose soldiers would loyally follow him into every fight no matter how desperate, Lee emerged from the conflict to become an icon of the Lost Cause and the ideal of the antebellum Southern gentleman, an honorable and pious man who selflessly served Virginia and the Confederacy. Lee's tactical brilliance at Second Bull Run and Chancellorsville took on legendary status, and despite his accepting full responsibility for the defeat at Gettysburg, Lee remained largely infallible for Southerners and was spared criticism even from historians until recent times."[6]

In terms of Lee's subordinates, the key villain in Jubal Early's view was Lt. Gen. James Longstreet. Early's writings place the Confederate defeat at Gettysburg squarely on Longstreet's shoulders, accusing him of failing to attack early in the morning of July 2, 1863, as instructed by Lee. In fact, however, Lee never expressed dissatisfaction with the second-day actions of his "Old War Horse." Longstreet was widely disparaged by Southern veterans because of his post-war cooperation with President Ulysses S. Grant, with whom he had shared a close friendship before the war, and for joining the Republican Party. Grant, in rejecting the Lost Cause arguments, said in an 1878 interview that he rejected the notion that the South had simply been overwhelmed by numbers. Grant argued, “This is the way public opinion was made during the war and this is the way history is made now. We never overwhelmed the South ... What we won from the South we won by hard fighting.” He further noted that when comparing resources the “4,000,000 of negroes [sic]” who “kept the farms, protected the families, supported the armies, and were really a reserve force” were not treated as a southern asset.[8]

Further adoption[]

A later manifestation of the Lost Cause mentality can be seen in Douglas Southall Freeman's definitive four-volume biography of Lee, published in 1934. In the annotated bibliography, Freeman acknowledged his debt to the Southern Historical Society Papers and Early by stating that they contain "more valuable, unused data than any other unofficial repository of source material on the War Between the States."[9] Gallagher contends that Freeman "cemented in American letters an interpretation of Lee very close to Early's utterly heroic figure."[9] In this work Lee's subordinates were primarily to blame for errors that lost battles. While Longstreet was the most common target of such attacks, others came under fire as well. Richard Ewell, Jubal Early, J.E.B. Stuart, A.P. Hill, George Pickett, and many others were frequently attacked and blamed by Southerners in an attempt to deflect criticism from Lee. (As mentioned above, Lee accepted total responsibility for his defeats and never blamed any of his subordinates.)

The Lost Cause view of the Civil War also influenced the 1936 novel Gone with the Wind by Margaret Mitchell and the 1939 film of the same name.[10] There Southerners were portrayed as noble, heroic figures, living in a romantic and conservative society, who tragically succumbed to an unstoppable, destructive force. Another prominent use of the Lost Cause perspective was in Thomas F. Dixon, Jr.'s 1905 book The Clansman, later adapted to the screen by D.W. Griffith in his highly-successful movie Birth of a Nation in 1915.[11] In both the book and the movie, the Ku Klux Klan is portrayed as continuing the noble traditions of the South and the CSA soldier by defending Southern culture in general and Southern womanhood in particular against alleged depredations and exploitation at the hands of the Freedmen and Yankee carpetbaggers during Reconstruction. A more recent treatment appeared in the 2003 film adaptation of Jeff Shaara's Gods and Generals.[dubious ]

In his novels about the Sartoris family, William Faulkner paid homage to the men who supported the Lost Cause ideal, while suggesting that the ideal itself was misguided and out of date.[12]

20th century usage[]

A 20th-century version of the Confederate battle flag.

Flag of Mississippi.

File:Flag of the State of Georgia (1956-2001).svg

Flag of Georgia (1956-2001).

File:Flag of Arkansas.svg

Flag of Arkansas.

File:Flag of Alabama.svg

Flag of Alabama.

Basic assumptions of the Lost Cause have proved durable for many in the modern South. Lost Cause tenets are frequently voiced during controversies surrounding public display of the Confederate flags and various state flags. Historian John Coski noted that the Sons of Confederate Veterans, the "most visible, active, and effective defender of the flag", "carried forward into the twenty-first century, virtually unchanged, the 'Lost Cause' historical interpretations and ideological vision formulated at the turn of the twentieth."[13] Coski wrote concerning "the flag wars of the late twentieth century":

From the ... early 1950s, SCV officials defended the integrity of the battle flag against trivialization and against those who insisted that its display was unpatriotic or racist. SCV spokesmen reiterated the consistent argument that the South fought a legitimate war for independence, not a war to defend slavery, and that the ascendant "Yankee" view of history falsely vilified the South and led people to misinterpret the battle flag.[14]

The Confederate States of America used several flags during its existence from 1861 to 1865. Since the end of the American Civil War, personal and official use of Confederate flags, and of flags derived from these, has continued under considerable controversy. Currently the state flag of Mississippi draws heavily upon Confederate flag designs, and those of Arkansas, Alabama, and Georgia arguably incorporate certain elements from these designs[citation needed]. Lost Cause beliefs were encouraged by the neo-Confederate movement of the late 20th century, especially in the magazine Southern Partisan.

Contemporary historians are largely unsympathetic to arguments that secession was not motivated by slave ownership. Historian Kenneth M. Stampp claimed that each side supported states' rights or federal power only when it was convenient to do so.[15] Stampp also cited Confederate Vice President Alexander Stephens' A Constitutional View of the Late War Between the States as an example of a Southern leader who said that slavery was the "cornerstone of the Confederacy" when the war began and then said that the war was not about slavery but states' rights after Southern defeat. According to Stampp, Stephens became one of the most ardent defenders of the 'Lost Cause' theory.[16]

Similarly, historian William C. Davis explained the Confederate Constitution's protection of slavery at the national level as follows:

To the old Union they had said that the Federal power had no authority to interfere with slavery issues in a state. To their new nation they would declare that the state had no power to interfere with a federal protection of slavery. Of all the many testimonials to the fact that slavery, and not states rights, really lay at the heart of their movement, this was the most eloquent of all.[17]

Davis further notes that, "Causes and effects of the war have been manipulated and mythologized to suit political and social agendas, past and present."[18] Historian David Blight says that "its use of white supremacy as both means and ends" has been a key characteristic of the Lost Cause.[19] Historian Allan Nolan writes:

...the Lost Cause legacy to history is a caricature of the truth. The caricature wholly misrepresents and distorts the facts of the matter. Surely it is time to start again in our understanding of this decisive element of our past and to do so from the premises of history unadulterated by the distortions, falsehoods, and romantic sentimentality of the Myth of the Lost Cause.[20]

There are modern Lost Cause writers of history such as James Ronald Kennedy and his twin brother Walter Donald Kennedy (founders of The League of the South and author of The South Was Right! and Jefferson Davis Was Right!) who play down slavery as a cause in favor of Southern Nationalism. The Kennedys describe "the terrorist methods" and "heinous crimes" committed by the Union during the war and then in a chapter titled "The Yankee Campaign of Cultural Genocide" state that they will show "from the United States government's own official records that the primary motivating factor was a desire of those in power to punish and to exterminate the Southern nation and in many cases to procure the extermination of the Southern people."[21]

In arguing why the theme of this book is important to contemporary Southerners, the Kennedys write in the conclusion of their work:

The Southern people have all the power we need to put an end to forced busing, affirmative action, extravagant welfare spending, the punitive Southern-only Voting Rights Act, the refusal of the Northern liberals to allow Southern conservatives to sit on the Supreme Court, and the economic exploitation of the South into a secondary economic status. What is needed is not more power but the will to use the power at hand! The choice is now yours — ignore this challenge and remain a second-class citizen, or unite with your fellow Southerners and help start a Southern political revolution.[22]

Historian David Goldfield characterizes books "such as 'The South Was RightTemplate:'" as:

...explaining that "the War of Northern Aggression was not fought to preserve any union of historic creation, formation, and understanding, but to achieve a new union by conquest and plunder." As for the abolitionists, they were a collection of socialists, atheists, and "reprehensible agitators."[23]

Historian William C. Davis labels many of the myths surrounding the war as "frivolous" and included attempts to rename the war by "Confederate partisans" which continue to this day. He claims names such as the War of Northern Aggression and the expression coined by Alexander Stephens, War Between the States, were just attempts to deny that the Civil War was an actual civil war.[24]

See also[]

  • Neo-Confederate
  • Southern Agrarians
  • Vietnam Syndrome



  1. Gallagher (2000) p. 1. Gallagher wrote:
    "The architects of the Lost Cause acted from various motives. They collectively sought to justify their own actions and allow themselves and other former Confederates to find something positive in all-encompassing failure. They also wanted to provide their children and future generations of white Southerners with a 'correct' narrative of the war."
  2. Gallagher (2000) p. 1
  3. Ulbrich, p. 1221.
  4. 4.0 4.1 Gallagher, p. 12.
  5. Gallagher and Nolan p. 43.
  6. 6.0 6.1 Ulbrich, p. 1222.
  7. Gallagher and Nolan p. 16. Nolan writes, "Given the central role of African Americans in the sectional conflict, it is surely not surprising that Southern rationalizations have extended to characterizations of the persons of these people. In the legend there exist two prominent images of the black slaves. One is of the "faithful slave"; the other is what William Garrett Piston calls "the happy darky stereotype."
  8. Blight p. 93
  9. 9.0 9.1 Gallagher, pp. 24-25.
  10. Blight p. 283-284. Blight wrote:
    "From this combination of Lost Cause voices a reunited America arose pure, guiltless, and assured that the deep conflicts in its past had been imposed upon it by otherworldly forces. The side that lost was especially assured that its cause was true and good. One of the ideas the reconciliationist Lost Cause instilled deeply into the national culture is that even when Americans lose, they win. Such was the message, the indomitable spirit, that Margaret Mitchell infused into her character Scarlett O'Hara in Gone With the Wind ... ."
  11. Blight p. 111. Blight noted that Dixon and Griffith collaborated on Birth of a Nation and wrote:
    ”Dixon’s vicious version of the idea that blacks had caused the Civil War by their very presence, and that Northern radicalism during Reconstruction failed to understand that freedom had ushered blacks as a race into barbarism, neatly framed the story of the rise of heroic vigilantism in the South. Reluctantly, Klansmen -- white men -- had to take the law into their own hands in order to save Southern white womanhood from the sexual brutality of black men. Dixon’s vision capture the attitude of thousands and forged in story form a collective memory of how the war may have been lost but Reconstruction was won -- by the South and a reconciled nation. Riding as masked cavalry, the Klan stopped corrupt government, prevented the anarchy of ‘Negro rule,’ and most of all, saved white supremacy.”
  12. Blight pp. 292, 448-449
  13. Coski pp. 192-193
  14. Coski p. 193. Coski (p. 62) also wrote:
    "Just as the battle flag became during the war the most important emblem of Confederate nationalism, so did it become during the memorial period [the late 19th Century through the 1920s] the symbolic embodiment of the Lost Cause."
  15. Stampp, The Causes of the Civil War, page 59
  16. Stampp, The Causes of the Civil War, pages 63-65
  17. William C. Davis, Look Away, pages 97-98
  18. Davis, The Cause Lost p. x
  19. Blight p. 259
  20. Gallager and Nolan p. 29
  21. Kennedy and Kennedy p. 275-276
  22. Kennedy and Kennedy p. 309
  23. Goldfield p. 302
  24. Davis, The Cause Lost p. 178


  • Blight, David W. (2001-02-09). Race and Reunion : The Civil War in American Memory. Belknap Press. ISBN 0-674-00332-2. 
  • Coski, John M. The Confederate Battle Flag. (2005) ISBN 0-674-01722-6
  • Davis, William C. (1996). The Cause Lost: Myths and Realities of the Confederacy. (1st ed.). Lawrence, Kansas, U.S.A.: Univ Pr of Kansas. ISBN 0-7006-0809-5. 
  • Davis, William C. Look Away: A History of the Confederate States of America. (2002) ISBN 0-684-86585-8
  • Foster, Gaines M. (1988). Ghosts of the Confederacy: Defeat, the Lost Cause and the Emergence of the New South, 1865-1913. USA: Oxford University Press. ISBN 0-19-505420-2. 
  • Freeman, Douglas S., R. E. Lee, A Biography (4 volumes), Scribners, 1934.
  • Gallagher, Gary W. and Alan T. Nolan (ed.), The Myth of the Lost Cause and Civil War History, Indiana University Press, 2000, ISBN 0-253-33822-0.
  • Gallagher, Gary, Jubal A. Early, the Lost Cause, and Civil War History: A Persistent Legacy (Frank L. Klement Lectures, No. 4), Marquette University Press, 1995, ISBN 0-87462-328-6.
  • Goldfield, David. Still Fighting the Civil War. (2002) ISBN 0-8071-2758-2
  • Kennedy, James Ronald and Kennedy, Walter Donald. The South Was Right! (1991) ISBN 1-56554-024-7
  • Reardon, Carol, Pickett's Charge in History and Memory, University of North Carolina Press, 1997, ISBN 0-8078-2379-1.
  • Stampp, Kenneth. The Causes of the Civil War. (3rd edition 1991)
  • Ulbrich, David, "Lost Cause", Encyclopedia of the American Civil War: A Political, Social, and Military History, Heidler, David S., and Heidler, Jeanne T., eds., W. W. Norton & Company, 2000, ISBN 0-393-04758-X.
  • Wilson, Charles Reagan, Baptized in Blood: The Religion of the Lost Cause, 1865-1920, University of Georgia Press, 1980, ISBN 0-8203-0681-9.

External links[]

ja:南部の失われた大義 pt:Lost Cause zh:敗局命定論